Sple (på engelska) i en mening
Oh, she 's a sple ndid girl.
"Sple ndid," he sa id to him se lf, a s the Sa va ge sta rte d his a stonishing pe rform a nce.
Ch3 C6H2 (NO2 )3 + Hg(CNO)2= we ll, wha t? An e norm ous hole in the ground, a pile of m a sonry, som e bits of fle sh a nd m ucus, a foot, with the boot still on it, flying through the a ir a nd la nding, flop, in the m iddle of the ge ra nium s–the sca rle t one s; such a sple ndid show tha t sum m e r!.
"Sple ndid!" He ke pt his te le scopic ca m e ra s ca re fully a im e d–glue d to the ir m oving obje ctive ; cla ppe d on a highe r powe r to ge t a close -up of the fra ntic a nd distorte d fa ce (a dm ira ble !); switche d ove r, for ha lf a m inute , to slow m otion (a n e xquisite ly com ica l e ffe ct, he prom ise d him se lf); liste ne d in, m e a nwhile , to the blows, the groa ns, the wild a nd ra ving words tha t we re be ing re corde d on the sound-tra ck a t the e dge of his film , tried the effect of a little a m plifica tion (yes, tha t wa s decidedly better); wa s de lighte d to he a r, in a m om e nta ry lull, the shrill singing of a la rk; wishe d the Sa va ge would turn round so tha t he could ge t a good close -up of the blood on his ba ck–a nd a lm ost insta ntly (wha t a stonishing luck!) the a ccom m oda ting fe llow did turn round, a nd he wa s a ble to ta ke a pe rfe ct close -up.
"Sple ndid," he sa id to him se lf, a s the Sa va ge sta rte d his a stonishing pe rform a nce.
Ch3 C6H2 (NO2 )3 + Hg(CNO)2= we ll, wha t? An e norm ous hole in the ground, a pile of m a sonry, som e bits of fle sh a nd m ucus, a foot, with the boot still on it, flying through the a ir a nd la nding, flop, in the m iddle of the ge ra nium s–the sca rle t one s; such a sple ndid show tha t sum m e r!.
"Sple ndid!" He ke pt his te le scopic ca m e ra s ca re fully a im e d–glue d to the ir m oving obje ctive ; cla ppe d on a highe r powe r to ge t a close -up of the fra ntic a nd distorte d fa ce (a dm ira ble !); switche d ove r, for ha lf a m inute , to slow m otion (a n e xquisite ly com ica l e ffe ct, he prom ise d him se lf); liste ne d in, m e a nwhile , to the blows, the groa ns, the wild a nd ra ving words tha t we re be ing re corde d on the sound-tra ck a t the e dge of his film , tried the effect of a little a m plifica tion (yes, tha t wa s decidedly better); wa s de lighte d to he a r, in a m om e nta ry lull, the shrill singing of a la rk; wishe d the Sa va ge would turn round so tha t he could ge t a good close -up of the blood on his ba ck–a nd a lm ost insta ntly (wha t a stonishing luck!) the a ccom m oda ting fe llow did turn round, a nd he wa s a ble to ta ke a pe rfe ct close -up.